Evangelia Danadaki (b.1994, Greece) is a visual artist, working with video, perfomance and film. Her practice is situated at the intersection of contemporary art and theory creating projects of visual imagery that are conceptually informed by readings. Central to her practice-as-research are the notions of plurality, performativity and the feminine. She studied Contemporary Photography and Philosophy at Central Saint Martins, University of the Arts London and Political Theory at Aristotle University of Thessaloniki. Currently, she is undertaking a PhD in feminist philosophy and film at the School of Fine Art, History of Art and Cultural Studies, University of Leeds (recipient of the Amanda Burton Scholarship). She is Research Fellow at the Global Center of Advanced Studies, College Dublin.

Contact
evangelia.danadaki@gmail.com

Education
PhD in Philosophy, Psychoanalysis and Film, School of Fine Art, History of Art and Cultural Studies, University of Leeds (Amanda Burton Scholarship)
MA in Contemporary Photography; Practices and Philosophies, Central Saint Martins, University of the Arts London (distinction)
MA in Political Theory, Aristotle University of Thessaloniki (distinction)
BA in Political Science, Aristotle University of Thessaloniki

Selected Group Shows
The human condition in the era of AI, National and Kapodistrian University of Athens, Athens, Greece, 2024
International Forum of Performance Art, Drama, Greece, 2024
TILM Movement of Film Series “Girls! Girls! Girls!”, School of Dance, University of Utah, Utah, US, 2024
Fantasy Film Festival, Club de l’étoile, Paris, 2024
Youths, Space 52, Athens, Greece, 2024 
The Pure Identities Festival, Thessaloniki, Greece, 2024
International Forum of Performance Art, Drama, Greece, 2023
Performing Space 2023, University of the Peloponnese, Nafplio, Greece, 2023
Bleu Paris Festival, Cinema le Luminor Hôtel de Ville, Paris, France, 2023
Inspire Project, MOMus, Thessaloniki, Greece, 2023
Art and Design Show, Central Saint Martins, London, UK, 2022
Take me with you Part II, The Koppel Project Hive, London, UK, 2022
Hybrid School, ENSAV La Chambre Gallery, Brussels, 2022
transference.TV, Group show, online, 2021
Diaries Loosenart International Group Exhibition, Millepiani, Rome, Italy, 2021
Focal Point Group Exhibition, Foundry Art Centre, MO, United States, 2020

Conferences-Presentations
“Susan Sontag’s Godot: towards a politics of caring”, Beckett and Justice Conference, California State University, Los Angeles, 6-8 June 2024
“On natality: The critical function of art in Hannah Arendt”, Panhellenic Conference of Philosophy, National and Kapodistrian University of Athens, 10-12 April 2024 
“A khôra beyond Oedipus: Abjection and matrixial trans-subjectivity”, American Comparative Literature Association Conference, Palais de congrès de Montréal, 14-17 March 2024
“Knowledge-How to pass on and how to apply”, Yemen Creative Hubs Conference, Goethe-Institut, online, 7 March 2024
“The relational and agonistic dimension of art”, Contradictions in the Contemporary World: Politics, Ideology, Society, Research Dissemination Center, Aristotle University of Thessaloniki, 20-22 October 2023
“Metramorphoses: A performative model of becoming and the paradigm of Antigone”, Performing Space 2023 – Argolida, University of Peloponnese, 7-13 July 2023 
“Performance as political action: creating public space”, Performing Space 2022 – Epidaurus, University of Peloponnese, 27-29 July 2022 
“System of vision, self-perception and narrative in Ill seen Ill said”, Spectral Landscapes: Absence, Trauma and Nationhood, University of Reading, 4-5 November 2021

Publications
“Performance as political action: The creation of public sphere and the recreation of the self” in Performing Space, Nisos, 2023.
“Politics of art in Cornelius Castoriadis: creating new common worlds” in Aesthetics and Politics, archiDOCT, 11(2), 2023.
“An inter-subjective narrative: Performing and reforming the self” in Demosthenes Agrafiotis: Transverse drifts, Laura Dodson, éditions L’Harmattan, 2023.