foryouforme, 2025, film-essay, colour, sound, 10 min.
sound: Konstantina Tsagianni

Based on the research-creation project ‘Practicing Anti-happiness with Luce Irigaray’, developed with Eftihia Mihelakis.

Anti-happiness is not the opposite of happiness, but a counter-practice: a way of being with discomfort rather than resisting it. Fire arises as desire and connection, but also as shared concern, a form of ecological melancholy, asking: how do we visualize internal and psychic temporalities of discomfort? Embracing an ecology of imaging, this film re-members the artists’ archive of performances, videos, and footage (2021–2025), linking it to a collective reading of Luce Irigaray’s essay, “Sharing the Fire: Outline of a Dialectics of Sensitivity” (2019). Through this interweaving, text and image are recontextualized destabilizing finality.


Screened at the 15th Meeting of the Luce Irigaray Circle, online conference, 4-6 July, 2025.




Oberkampf, 2024, film, colour, sound, 09:21 min.

Oberkampf is a composition of three emotionally charged instances between a young woman and her brother, mother and partner, transgressing the boundaries between the self and the other, reality and the dream.

with: Katerina Mefsout, Andreas Votikas, Zaklin Polenaki, Panagiotis Angelopoulos
director of photography: The Boy
editing: Nikos Pastras
original music composition: Kavour S. Christos






GAIA, 2024, film, colour, sound, 08:05 min.
 

A young woman is faced with the question of adulthood and the consequences of living alone. Dancing emerges as a possibility that generates her narrative of resistance towards anxiety and societal expectations. An experimental dance film on artistic expression as a matrix of communication between the self and the (m)other. A short docufiction of Gaïa Debuchy.

with: Gaïa Debuchy, Eva Galmel
music: Vive la Fête, Kavour S. Christos






Why did you punish yourself again,Oedipus?, 2021, film, colour, sound, 03:53 min.

A digitalised performance that revisits the Sophoclean myth of Oedipus Rex by staging two acts: an act of mask-making, and an act of moving in a state of oblivion. An attempt to symbolically disrupt the hegemony of oedipal structures and sensorially experience the discomfort they produce towards the transition to more open and queer models of action.

with: Laisul Hoque